In total, the ND Series provides thoughtful new ways to better capture live sound without reinventing the wheel. It reaches down deep and is aimed slightly more at guitar/bass cabs. Did we get anything wrong on this page? I was even more impressed with the instrument models within the ND Series. Every time EV "upgrades" their product line it gets worse...for most of the line. Sensitivity figures indicate that the ND44 is not a very sensitive microphone (2.4mV/Pa), and therefore suited to loud instruments such as a tom or snare drum. The diaphragm has a cloth layer over it for moisture (i.e. An internal shockmount helps to prevent sympathetic vibrations from eating up your headroom. For more stories like this, and to keep up to date with all our market leading news, features and analysis, sign up to our newsletter here. Designed for excellent performance on drums and other rhythm section instruments, the ND44 capsule is precisely tuned to deliver the aggressive and punctuated sound these instruments produce, as well as excellent isolation from the sound of other nearby instruments. The microphone comes with EV’s DRC-2 drum clamping system, which has a finger loop on the bottom that facilitates easy clamping of the mic onto a drum rim. Visit the E-V website for detailed frequency response and polar pattern data. Visit our corporate site at www.futureplc.com. In use, standout features include beautifully voiced, surprisingly feedback-resistant handheld microphones and equally flattering, feature-rich instrument models that are a hoot to position on drums, guitar cabinets, instruments and so on. It also has a low-profile pivoting head that allows precise angling to the right spot on a snare drum. Finally, the “kick drum and low frequency” ND68 actually handles up to 144 dB SPL, and is open and punchy yet phat and voluptuous—most everything I desire in such a microphone. The ND44 is a robust, high-performance, large-diaphragm dynamic instrument microphone with a tight cardioid polar pattern. The ND44 is more for toms, but they both work well on either. © 2020 Pro Sound News is part of Future plc, an international media group and leading digital publisher. There’s no specific snare mic but the ND44 works and it’s the right size, the ND46 is a bit big to position in there, but gives a meaty sound. One of my favorite handheld dynamic microphones of all-time is Electro-Voice’s PL80a, the brand’s top supercardioid dynamic; it is uniquely frequency-sculpted to better translate vocals in common live environments, allowing them to sit notably snug yet prominently in a mix. The engineer is therefore encouraged to vary the distance from the drum - using the dual pivots described above - to tailor the low end response to his or her liking. It is part of EV’s new ND line, which replaces the N/Dyn microphones. Live sound, band-oriented studio, theater and house-of-worship-based audio engineers should love these microphones and will appreciate their affordable prices. The ND96 usefully provides a two-position presence switch; one setting is relatively flat, while the other emphasizes lows and further dips “honky” mids so well that I left it engaged across a broad range of male and female vocalists of various types and styles. Engineers should love these microphones and will appreciate their affordable prices internal humbucking designed. The lollipop-style head of the ND series microphones: the ND76,,. Head of the ND44 has an internal humbucking coil designed to isolate electronics! 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